Event Proceedings: ‘CREATIVITY COLLABORATION AND MEDIA MANAGEMENT: A CONVERSATION’

A first time for our small (but nicely formed) research group, July 10, 2018 saw us hosting an ‘In Conversation’ hub meeting at LCC (UAL) with two esteemed guests: Dr John Oliver, Professor of Media Management at Bournemouth University and Ruth Leary, Principal Fellow of the MA in Creative and Media Enterprises at Warwick University.Red Arrows

Overlooking Parliament from the 11th floor of LCC’s tower, we were rather delighted to see the RAF commemoration flypast on the same afternoon, despite having only organised coffee, pastries and PowerPoints.

 

Attended by three of the main hub members, a number of postgraduate students at UAL (mainly from the MA in Publishing at LCC) and faculty members from the School of Media (including the head of Journalism), the presented agenda was for the members of the CIMRH hub to outline their PhD work to date, after hearing from two very different academics – from two very different academies – about their creative industries and media management research, conference landscape, peer reviewed journal preferences and post-graduate teaching.

The idea of a ‘conversation’ was seen as being useful to CIMRH as a semi structured way to hear about the fields of media management, creative industries studies, media studies and media business so that links could be made for the researchers in the hub, any areas of overlap and intersection could be explored and the visiting academic could provide advice about completing PhDs and moving on to post-doctoral work, especially with regard to conferences, journals and research centres.

Dr John Oliver gave a very useful presentation on:

  • The areas in the UK REF (Research Excellence Framework) for creative industries research outlined for the hub as being Communications, Media Studies and Strategic Management;
  • An Outline of his research organisation AIMM (Advances in Media Management) other organisations that we might engage with, including: EMMA (European Media Management Education Association), MMA (International Media Management Academic Association) and the WMEM (World Media Economics and Management);
  • The importance in the academy of branding research hubs, organising conferences (especially with the benefit of being in Central London) and the persistence in funding applications that has seen is research organisation growing substantially despite not fitting neatly in either business studies or media studies departments.

Ruth Leary gave a very dynamic and varied outline of her work and research at Warwick including:

  • A focus on cultural entrepreneurship, work on creative cities (eg Coventry as City of Culture), sustainability, media memory including archive curation and the related pedagogy of ‘media smithery’ (making and DIY) and ‘slow’ creativity;
  • Journals which include International Journal of Creative Cultural Policy and REF entries which include Film and TV panel – relevant to the area of examining technology and the BBC conducted by one CIMRH hub member (see below);
  • A focus on market-led impact approaches to research via teaching, knowledge transfer and consultancy. Some examples from Warwick being developing conversations about software and rights and copyright, for example driverless car technology and legal questions such as vicarious liability; and creative storytelling to inform supply chain communications;
  • Discussion of pedagogical approaches to bring research thinking into teaching on media and creativity disciplines and develop open space learning environments

CIMRH members PhD presentations:

Simon Das presented his business case study research around magazine publishing creativity and management, using a model of the ‘4Ps of Creativity’ encompassing individual, contextual and confluence understandings of creativity. His research was said to respond to the call for research on creativity in industrial and professional contexts and aims to add to theory debunking ‘heroic’ myths around creativity and its conflation in media business with innovation. Advice was given about making the case for preparing for a viva that justifies his more positivistic approach given the complexity of using proxy measurement and structured ‘variables’.

Frania Hall presented an overview to her research into digital publishing collaborations; she is using theories of entrepreneurial networks and emerging frameworks and typologies for collaboration to assess the process and structural impacts for these sorts of creative collaborative activities within the publishing industry. She focused on one of the case studies she is researching, a collaboration between a publisher and an arts organisation to develop a series of interactive school textbooks. Through this she examines concepts of brokers, autonomous teams, organisational creativity and learning within new style collaborations, building towards an understanding of how best to facilitate and encourage cross-sector/inter-sector collaboration.

Russell Merryman presented a fascinating paper on Interactive Television: Red button services and the development of digital audiences in the UK through his interest in ‘media archaeology’ and a bespoke methodology encompassing ethnography, middle range theory, actor-network theory, affect theory and grounded theory which he is using to try and develop a retrospective approach to analysing creativity and management processes. Advice was given about exploring the work of Prof. Hugh Chignell (Director of the Centre for Media History at Bournemouth) and innovations that hit a wall (Museum of Failure) and also using resources at the Reuters Institute which might better acknowledge media archaeology.

Summary and Emerging Themes

After some discussion, the following summary points were made about directions we might consider exploring individually for our PhD research and jointly as areas for exploration and further post-doctoral work and knowledge transfer:

  • Learning from the different ontological positions each of the researchers subscribes to;
  • Considering questions around R&D investment in the creative industries and the investing in failure;
  • A focus on members exploring the emerging ‘missing middle’ focus on creative products and not creative processes;
  • Challenges of creative product design within creative sectors and across the creative industries;
  • Engaging in the debate about what differentiates management activity within creative industries from general management theory;
  • Strategies for development of the hub in the longer term, including branding and events

Categories: collaboration, creative business, creative industries, creativity research, cultural intermediaries, digital, entrepreneurship, innovation, management, organisations, publishing, research methodology, Uncategorised